Looper
Although I really had no clue that this movie was soon to be released until I was up for renting a movie and got hooked into its concept, this is probably the best thing I’ve seen in at least a year (probably longer than that). A friend of mine introduced me to the work of Rian Johnson a few years ago by requiring me to sit down and watch Brick, a great modern film noir that follows a heartbroken high school student as he tries to figure out why his ex-girlfriend is missing school and seems so shaken up, off kilter. It’s a great, thoughtful mystery with sweet twinges of humor and gut wrenching hopeless romance. I watch it regularly, but try not to. It’s a special rainy day kind of treat.
Looper had the same challenge of hanging on to the story line. The first time I watched it, I definitely didn’t catch everything, but it’s shot in such a smooth and pretty way that it makes it easy to watch several times over. The storyline is rooted in questions of morality- if we know someone will turn out to be a major criminal, is it ok to kill them before they do their awful deeds? what makes a criminal of that caliber, where is the cutoff line? what sort of person would do this for a living? is it worth it, what are they sacrificing? The point, I think, is that we think we know the answers. Or at least we pretend to a lot of the time. Overall, it lends more optimism to the human race than I expected in the beginning. It’s thrilling, smart and it has Joseph Gordon-Levitt in it (driving a Miata, no less).
The cast was amazing: Levitt, Bruce Willis, Emily Blunt and Paul Dano. Not to mention, the soundtrack is pretty great.
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Liberal Arts
This is another that passed through the transit without me ever knowing it came to theaters, which is probably best, given that I’m a huge fan of Josh Radnor (thanks to How I Met Your Mother) and compulsively watch my favorites at least a few times over. Much like his HIMYM character, Ted, Jesse is a young 30-something who has been out of college a few years, is in a stable but unenjoyable/non-rewarding job, between relationships and generally in a bad place. It’s so easy to love him: especially the moment he gets a call from his favorite college professor, who asks him a favor of giving a brief speech at a retirement dinner honoring himself. He checks his calendar knowing he has nothing on the horizon for the foreseeable future and agrees.
Back on campus, where anything feels possible, he cheers up and instantly meets someone. Their flourishing long distance romance of handwritten letters in a digital age, exchange of music playlists and discussions about books are charming. It is comforting to watch Jesse start acting like himself, beginning to forget the reasons he was so disenchanted with life, but also questionable that the object of his affections is a girl of 19. What impressed me most was that the happy ending didn’t involve the young college student suddenly growing up or Jesse moving into the same town or her leaving college to simply be with him. Instead, a moment of clarity. Jesse stepping up to do the right thing: let her get on with her atypical college years and him moving on and finding someone closer to his own age.
The final scene is probably the sweetest exchange I’ve ever seen, in which Jesse and his new girlfriend sitting peacefully in the living room talking about the ways they’d like to grow old–how it’s not only not going to be bad, it could be kind of great. They sit in the soft sunlight and silence, in that implication that it will be with each other. (So many feelings, y’all.)
Also, they talk about some great music in the movie. Some lovely soul posted the songs in a playlist on Youtube. (score!)
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Friends with Kids
(Ok, so this one was made in 2011, but I didn’t see it until 2012. Shhh.)
As one of the very few remaining person from my high school class who both hasn’t been married or had children, this movie really did it for me. Jason and Julie, two best friends, are god-awful at relationships and they know it. Julie had an “epic 10 year relationship” with someone from college, but now finds herself in a good job, living The Life in Manhattan, having a grand time with her friends but without anyone she feels is worth a shot for something real, let alone beginning a family. Jason has no trouble flipping through relationships, but he can’t stand thinking he would go through life without having any children. So the two decide their stable friendship holds enough merit to successfully hold down a small family, enabling them to leave “the messy stuff” out of their dating lives.
Obviously, things go very wrong. But the entertaining part is where things seemed like they worked perfectly. My favorite line of the whole movie is John Hamm mouthing “Quiche?” as the couple hosts an immaculate gathering for all their friends with kids. Died. Laughing.
The important thing is that not only is it chock full of laughs, it goes through all the main arguments I’ve heard about when it’s right to settle down with someone (no matter the varying definition for that) and what makes up a family. Again, I’d say pretty great casting. I mean, Adam Scott? (Love, love, love Parks & Rec). Jennifer Westfeldt was so earnest and adorable. John Hamm, always a pleasure (holla, Mad Men). And Maya Rudolph always kills her roles. She is the best. Also, bonus points for having included my favorite Balmorhea song, Baleen Morning.
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Arbitrage
This is probably the most destructive movie on the list. Sometimes it does us good to watch a movie that calls attention to what wealth we have in our lives (especially if it’s not monetary). Richard Gere was beautiful as a “troubled” hedge fund magnate, but the story of his life spiraling out of control sheds light on the way we tend to get greedy. Some of us have rich family lives or jobs that not only don’t make us miserable but that we either are really good at (possibly even enjoy!) The trouble is that we can grow complacent having these things and begin to take them for granted. As far as cautionary tales go, this one was well done.
No need for me to extol the virtues of Richard Gere or Susan Sarandon (although I will say it’s refreshing to see them in a major film again, especially together.) In that case, it was a smart addition to put Brit Marling in the cast. She is stunning and her natural sort of devasting look makes her acting very powerful. If you haven’t seen Another Earth, do so post-haste! (Just make sure you’re in a good place, it’s very emotional.)
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Argo
I just…can’t even begin. Amazingly well done, a suspenseful dramatization of the American diplomatic hostages following a dispute at the embassy in Iran (1979, 1980). A CIA agent had to figure out how to get them out of the country, so his cover was to create a fake movie, in this case a sci-fi film that they could shoot on an exotic location so that Americans could fly safely in and out of the country. Even though I knew how things ended in real life, I was still afraid for them. I was on the edge of my seat for the whole thing, which kept me guessing until the very last second and the journalist in me tips a hat to their frequent use of footage from the actual events, a great parallel to what they were trying to portray, recreate.
I was lucky enough to see this movie with a friend who recognized that they used some of the artwork of Jack Kirby as the board mock-ups of scenes they were shooting. (In the film, these play an integral part in their safety.) The Daily Beast ran a pretty neat rememberance from Antonio Hernandez, the CIA agent who conducted the operation. For a long time I was never really a fan of Ben Affleck, but State of Play won me over and Argo has certainly sealed the deal.
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So now it’s your turn. If you were in charge of the Oscars, which movies would get your vote?